Sunday, September 3, 2017

WOMEN CRIME WRITERS

Dorothy B. Hughes, In a Lonely Place, afterword by Megan Abbott (New York: New York Review Books/Classics, 2017).

Fred Vargas, The Chalk Circle Man (The First Commissaire Adamsberg Mystery), translated from the French by Sian Reynolds (New York: Penguin Books, 2009).

Fred Vargas, A Climate of Fear (A Commissaire Adamsberg Mystery), translated from the French Sian Reynolds (New York: Penguin Books, 2017).

Fred Vargas, The Ghost Riders of Ordebec (A Commissaire Adamsberg Mystery), translated from the French Sian Reynolds (New York: Penguin Books, 2013).

Fred Vargas, Have Mercy On Us All (Chief Inspector Adamsberg Investigates), translated from the French by David Bellos (New York: Simon & Schuster, 2005).

Fred Vargas, This Night's Foul Work (The First Commissaire Adamsberg Mystery), translated from the French Sian Reynolds (New York: Penguin Books, 2008).

Fred Vargas, Seeking Whom He May Devour (Chief Inspector Adamsberg Investigates), translated from the French by David Bellos (New York Simon & Schuster Paperbacks, 2004).

Fred Vargas, An Uncertain Place (A Commissaire Adamsberg Mystery), translated from the French Sian Reynolds (New York: Penguin Books, 2011).

Fred Vargas, Wash This Blood Clean from My Hand (A Commissaire Adamsberg Mystery), translated from the French Sian Reynolds (New York: Penguin Books, 2007).

Sarah Weinman, ed., Women Crime Writers: Four Suspense Novels of the 1950s: Mischief by Charlotte Armstrong; The Blunder by Patrica Highsmith; Beast in View by Margaret Millar; Fool's Gold by Dolores Hitchens (New York: Library of America, 2015).